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cbse class 12 music notes in hindi

CBSE Class 12th Music Notes in Hindi Hindustani Vocal Code 034

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cbse class 12 music notes in hindi

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CBSE Class 12th Music Notes in Hindi

 

HINDUSTANI MUSIC VOCAL (Code – 034) Examination Structure for Assessment 

Class XII

 

TOTAL: 100 Marks      Time: 02 Hours

Theory  30 Marks

Practical  70 Marks

Time: 25-30 Minutes for each candidate

  • Examiners are requested to ask the questions directly related to the
  • Marks should be awarded in accordance with the marking

 

Distribution of Marks

Sr.

No

Value Points

Marks

 

1.

Choice Raga (Vilambit and Drut Khayal)

10+5=15

 

2.

Examiner’s Choice Ragas

10

 

3.

One Tarana and one Dhamar with dugun and Chaugun

5+5=10

 

4.

One Composition of Sadra or Dadra

06

 

5.

Folk song

04

 

6.

Identification of Ragas

05

 

 

7.

 

Reciting the Thekas of Prescribed Talas with hand beats in

Thah and Dugun and Chaugun

5+5=10

 

8.

Tuning of Tanpura and questions regarding

5

 

9.

Practical file

5

 

 

HINDUSTANI MUSIC VOCAL (Code – 034) Course Structure 

Class XII

Theory -60 periods    Time: 02 hours

TOTAL: 100 Marks

Marks – 30

  • Questions to be set with internal choice covering the entire syllabus unit wise
  •  Candidate has to attempt at least one question from each unit.

No.

Units

No.of Periods

Marks

 

Units 1

12

 

 

1.1

Brief study of the following

Alankar, Varna, Kan, Meend, Khatka, Murki, Gamak.

05

06

 

1.2

Brief study of the following

Sadra, Dadra, Gram, Murchhana, Alap, Tana.

07

 

Unit 2

     

2.1

Study of the following

Classification of Ragas- Anicent, Medieval and Modern

06

06

 

2.2

Historical development of time theory of Ragas

06

 

Unit 3

     

3.1

Detail study of the following

I. Sangeet Ratnakar

II. Sangeet Parijat

06

06

 

3.2

Life sketch and Cotribution of Abdul Karim Khan, Faiyaz Khan, Bade Ghulam Ali Khan, Krishna Rao Shankar Pandit

06

 

Unit 4

     

4.1

Description of Prescribed Talas along with Tala Notation- Thah, Dugun, Tigun and Chaugun

07

06

 

4.2

Study of various parts and tuning of Tanpura

05

 

Unit 5

     

5.1

Critical study of Prescribed Ragas along with Recognizing Ragas from phrases of Swaras and elaborating them

05

06

 

5.2

Writing in Notation the Compositions of Prescribed Ragas.

07

 

Class XII

 

Practical   – 160 periods                                                                                         Marks – 70

 

S.No

Topics

No. of periods

1.

Two Vilambit Khayal with simple

elaborations and few in any two of the prescribed Ragas.

25

2.

One Drut Khyal woth simple elaboration and few tanas in the following Rgas-

Bhairav, Bagesshri, Suddha Sarang and

Malkauns.

60

3.

One Tarana and one Dhamar with dugun and

chaugun in any one of the oprescribed Ragas.

15

4.

a.                      One composition of Sadra or Dadra

b.                    Folk song.

10

5.

Ability to recognize the Ragas from the

Phrases of swaras rendered by the examiner.

10

6.

Recitation of the Thekas of Jhaptala, Rupak,

Tilwada and Dhamar with Dugun and Chaugun, keeping tala with hand beats.

24

7.

Knowledge of the structure and tuning of

Tanpura.

16

 

 

 

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